CAITLIN ROWLEY
composer

Remembrances of Half-Forgotten Dead People

High voice and piano

These three songs for high voice & piano take their texts from the 1911 edition of the Petit Larousse Illustré. These have been set as they appear in the dictionary (with certain minor changes to preserve clarity of meaning), and were chosen for the different ways in which time has treated the subjects of the entries:

I. Lament: Louis-César-Joseph Ducornet (1806-1856). French painter. ‘Born without arms, he painted with his feet’. Ducornet has by now been apparently totally forgotten, to the extent that his name does not even appear in modern 20-volume encyclopaediae.

II. Funeral march: Ambroise Thomas (1811-1896). French composer. He was chosen because while he was extremely popular during his lifetime, his works did not seem to be performed often even though his name was known. This was from my perspective (1990s Australia!) when the work was written – it seems that in Europe his music is still performed.

III. Elegy: Marie de Flavigny, Comtesse d’Agoult (1805-1976). French writer. Quite well known during her lifetime, she wrote under the nom de plume Daniel Stern. She is best known now as Liszt’s mistress.

The performance here is by soprano Angela Hicks, who sang Remembrances of Half-Forgotten Dead People in the Old Royal Naval College Chapel, Greenwich on 23 January 2014.

First performance: 4 March 2011, by Tamara Tempera (mezzo-soprano) and Luca Tieppo (piano) at the London Composers Forum 'Piano Plus' concert at Lauderdale House, London.