As you no doubt know by now, I am doing the RPM Challenge this month, which requires me to record 10 tracks or 35 minutes of music over the course of February. As my last blog post here explains, part of the reason why I’m doing this is to work on being able to write more quickly and to experiment a bit, and this is where YOU come in!
I want to write you a piece of music. Just a little one, but for whatever instrument you play.
The only thing I ask is that you only sign up for this if you can commit to sending me a recording of the piece by the end of February.
Interested? Read on for the details:
- Most pieces will be under a minute long. There may be some technical challenges but I’m aiming to keep them feasible within the limited time frame you’ll have for learning & recording.
- If I write a piece for you that requires an accompaniment, I will provide a MIDI-generated recording as well as all parts, in case you don’t have a pianist or harpist or whatever lounging around with nothing to do.
- Recordings don’t have to be studio-quality but they should be at least pretty clear. I don’t much care what you record on, but the higher quality the happier I’ll be. iPhone/iPad recordings are fine. Cassette tape isn’t because I don’t have anything to play them on. If you’re thinking of using your phone or computer mic but haven’t tested the quality, please test before you sign up to make sure that you can deliver at least a reasonable-quality recording.
- Recordings will be made public, on SoundCloud, my website and the RPM website, so please make sure you’re happy with your performance and recording before you send it. It will have your name on it.
- If you can’t commit to getting a recording to me by the end of Feb, but you’d still like me to write for you, we can talk about scheduling something. I’m ALWAYS happy to write for people, but the aim of this project right now is to end up with 10 actual recordings by the end of the month.
- I reserve the right to not manage to get around to writing you a piece – it’s entirely possible I’m biting off more than I can chew here. First come, first served, up to 9 people. If you’re within those 9 and I don’t manage to fit you in during February, I’ll try to write you something anyway when I have a moment later this year.
- In the interests of variety and experimentation, I will write no more than 2-3 pieces for any given instrument. Don’t want to end up only writing for piano!
- If you play the sort of instrument that has a number of different ranges – e.g. Recorder, tin whistle – please specify which one you want me to write for, e.g. Tenor recorder, whistle in D
- If you ask for a piece which isn’t a typical member of the orchestra and therefore unlikely to be found in a standard orchestration text, I may need you to provide additional info such as range, special considerations, effective techniques, recommended recordings. I will try to ask for these early on.
- If you are open to the prospect of a graphic score or free form elements, let me know. I will only include these if you are interested in dealing with them. Other pieces will be fully notated
- And finally… I reserve the right for some of these to possibly not be terribly good. As mentioned in the blog post, the idea is to experiment with writing quickly and using some techniques and approaches that I don’t usually use, so there’s no guarantee of a quality result. But I will do my best and if there’s something you feel I could use some advice on, I will be extremely happy to receive any gentle feedback you may care to give.
Still keen? Then sign up! Leave a comment on this post with your name, instrument and any other details, then join the mailing list or update your details if you’re already on there – that way I can easily keep everyone updated on progress. You can always unsubscribe later if you’re not enjoying the experience