Why I’m not applying for my dream job

A few days ago, I spotted on Twitter a link to an advert for what is basically a dream job for me – web editor for the Tate art galleries. I’ve wanted to work for the Tate for ages, and to work on their website would be great. But there’s a downside: it’s full-time and permanent… and turning up just as I’ve decided to take three months off to focus on my music.

So I fretted for a bit, then decided to take a poll, so I put my dilemma up on Facebook and the response was overwhelming: apply for it! And to a certain extent they’re right. If I had a proper job now, I wouldn’t hesitate. If I weren’t also a composer, I wouldn’t hesitate. But most of all, if I weren’t planning on using the next few months to start to set myself up in a position where I wouldn’t need a proper day job at all, I wouldn’t hesitate. But.

So of course the next question is ‘why not apply and see what happens?’.

I’ll start with the fuzzy-hippy-wafty stuff. First up, it feels wrong. It feels like a diversion from a clear path that I’m supposed to be following. I’ve felt like this about jobs before, ignored it and regretted it. Second, I don’t know about other people, but most years I have a pretty clear feeling for what the general mood of the year will be – and I’m often right. This year feels very strongly like I need to keep myself as flexible as possible – like I’ll need to turn on a dime and be ready to take off at a moment’s notice. These are things that full-time, permanent work doesn’t play well with and the combination could mean either letting down my treasured employer and damaging my future prospects for working with them, or not doing things which may be important in either my career or personal life – not entering a high-profile call for scores, not being able to be with my mother when she has her cataracts operation, that sort of thing. This is a year that will be full of opportunities, some of which may require swift action, and I don’t want to miss a minute of it. Nor do I want to let others down by doing so. Which means a different approach is needed.

So enough of the fluffy stuff because there are more concrete reasons too. I’ve had full-time permanent day jobs before but never in my life have I done a full-time permanent job and been able to maintain compositional momentum. I’ve never even really been able to maintain compositional equilibrium – sooner or later my technical skills go backwards and after a while I find I’m not writing at all and to try to do so takes a mammoth amount of willpower. I wasted 10 years of my life like that and it’s taken another 5 to get back on track. I don’t want to waste another minute.

Part of the reason I’m planning to not have a day job at all for the next three months is that I’m signing up for individual composition lessons at the local university. After Durham, I’m really keen to start a Master’s degree soon, so I wanted to do some lessons again to remind me of what it was like to have to check in with work every week, to get some solid feedback and hopefully to also be able to stretch my compositional thinking and improve the work I’m doing. To make the most of this experience requires a goodly amount of spare time in which to compose and think and generally experiment with ideas. I’m also planning on exploring a number of alternatives for income-generation which don’t involve me having to spend 5 days a week in an office – ultimately I want to be able to mix up my day between composition and paying work to create a satisfying and profitable whole. I don’t expect to be supporting myself within three months – that would be stupid – but I do hope to have set some things in motion and hopefully be earning just a little something that I can build on.

I guess if I applied for the job I could resign myself to just working like a demon for a year and doing everything, but I’ve burnt myself out like that before – did it last year, in fact – and the thing that always suffers the most is the composition because there’s no one but me holding me accountable for doing it. And that’s not how I want it to be.

One of my goals for the new year was to ‘be more selfish’. I don’t mean that I’m not sharing my packet of chocolate biscuits with anyone, but instead to put my stuff first. To work out my priorities and work towards ensuring that they are unshiftable priorities, not something that gets pushed out of the way as soon as something that pays comes along.

There may be tightening of belts. There may be darned socks. But I’m absolutely determined that there will also be music and satisfaction and lots of it.

6 Replies to “Why I’m not applying for my dream job”

  1. Good one Caitlin – follow your dreams, goals, talents & passion ! It's easy to get caught up in the Rat Race but it's great to hop off for a while & explore other opportunities ! And it's great you have John supporting you in all ways ! Good decision & well explained ! I'm looking forward to listing to more of your compositions & reading your updates & as you create them !

    Cheers Roz xoxo 😉

  2. I had to put my composing on the back burner for years and years, so that I feel that I "lost my chance".

    Now there will be fewer demands on me, so I want to take a "seize the final opportunity" initiative.

    As long as the creative brain is functioning, it should be possible to keep composing well beyond the physical ability to play an instrument. On the whole, composers seem to go on into extreme old age – I think.

    However, I don't advise you to wait until you're old!

    Do what feels right.

  3. Thanks, everyone!

    Pat: I think dance is a great model for us – after all, choreographers can continue to create new work long, long after they've ceased to be able to perform themselves, and there's absolutely no reason why we can't too. Carpe Diem!

  4. What a wonderful, strong and brave thing you're doing here Caitlin!

    I'm inspired by this. This year I made the resolution also to focus on my music performance and composition and to not let other distractions get in the way. Yes, there will be an income lull for a while, but to know you're following the path that is right for you makes it all worth while.

    Already (and it's only February) I have been tempted to continue studying post graduate law (possibly one of my favourite distractions to music) and to seek full time employment. It takes every bit of will power and determination to stick to the path and not let this other, also valid and interesting, distractions overtake one's life.

    This is the year of working hard on music. I am so grateful that you are in the same place as it gives me a bit of encouragement.

    Go lady go, we're all backing you!

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