CAITLIN ROWLEY
composer

Taking the private public
There’s something rather odd, really, about making a decision to share private material in public. It’s a process which is attended with questions like ‘why would anyone care?’, ‘but what if people are mean about it?’ and of course ‘what if people think I’m a raving narcissist?’ These are all quite possible of course and […]

Interpretation, personality and non-rehearsable music
I have a half-baked idea that I want to talk about in this post. It’s about interpretation, non-rehearsable music and my recent piece Community of Objects. I’ve been working on an article about this piece recently, and doing a lot of reading to try to gain a better understanding of my own context for this […]

Composition vlog – new venture!
I’ve been blogging (intermittently) for several years now about my creative process, and this week I’m launching a new approach which I’m thinking may be more useful/successful/helpful/interesting (or not) for being a little less formal. I’ve started a composition vlog to talk more specifically about my process when composing – and to look more closely […]

Roland Barthes, composition and the public/private creative continuum
There now, that’s more the sort of title you’d expect from a PhD student, isn’t it? Don’t take this as a sign that I know what I’m doing now, though, because I really really don’t, and part of the reason I’m writing this post is to get my thoughts in order because I think I’m […]

The deep sea of ignorance
Three weeks ago I started my PhD. I knew that there’d come a point when I felt adrift on a sea of ignorance, but frankly I hadn’t expected it to happen quite so soon! I think all research projects go through this stage. You start out, full of eagerness and anticipation, reading everything in sight, […]

(Re)writing for radio
Taking the visual out of an interdisciplinary composition

Zero to Infinity: Fear of the ephemeral
Performance, art and why some artworks should be allowed to disintegrate

Positive changes: Exploring the I Ching for composition
You may recall that when I was first working on Crossing Dartmoor, I experimented with dice and other chance techniques to create and develop musical materials. At the time I wrote about how unexpectedly liberating that experience was, and I’ve continued to use some of the systems I worked with at that time in my […]

RPM Challenge album complete!
1200RPM:RPM2015, an album of new electro-acoustic work, is now online and available for free download

RPM Challenge 2015 is on!
Back in 2012, I signed up for my first RPM Challenge, subverting the format slightly to compose 10 new works (which turned out to be 9 new works plus 1 new arrangement due to unexpected concussion) for 10 different performers who then all recorded their pieces for the album Lucky Dip. That was a fantastic experience for […]