CAITLIN ROWLEY
composer

2015: My Year of Fear
Last year I ‘followed my fear’ to successfully break new ground with my work, so this year I’m dedicating myself to seeking out new areas of insecurity to see how this approach can help develop other areas of my practice.

Considering improvisation
When 'Good Enough' is good enough.

Breadcrumbs video and a new project
I’m delighted to say that the video of Breadcrumbs at Tête à Tête: The Opera Festival is now online. It’s missing a couple of bits at the beginning, but gives a pretty good idea of how the performance turned out. Many thanks to Tête à Tête for arranging for it to be recorded. Performers: Charlotte Richardson, […]

Breadcrumbs success at Tête à Tête
I am delighted to be able to report an excellent reception of Breadcrumbs, my dramatic monologue for unaccompanied soprano (with cor anglais introduction) at this year’s Tête à Tête: The Opera Festival at Kings Place on 10 and 11 August. Performed by Charlotte Richardson, soprano, and Clemmie Curd, cor anglais, the piece was directed by Omar Shahryar and […]

Adventures in amateurism
In which I realise how embracing my 'amateur' skills could open up new areas for composing

Justifying normal
Experimental music in a standard recital format? Why I'm considering it for Crossing Dartmoor...

Chance vs choice: Composing with dice
A roll of the dice gives a fresh perspective on composed material

One evening, four songs
Four songs in a single evening? And a decent night's sleep? This research lark is proving useful!

The power of the single idea: How playing the comb is improving my composition
Even when a concept is simple, the music needn't be.

Procrastination = Fear
Risk-taking can be terrifying, but it can also lead to much greater rewards of artistic development than playing it safe... at least I hope it will!