Things I Found In Boxes

‘deceptively simple… Rowley’s actions were extremely deliberate and the sounds that she made coalesced into a striking audio piece’ (Robert Hugill, reviewing Things I Found In Boxes: Opening at Bastard Assignments: Fresh & Clean 3)

A work in progress which combines electroacoustic music and live performance, Things I Found In Boxes explores ideas of memory and self-identity through objects and was developed following an extended period of sorting through belongings I’d stored in Australia for a decade.

The first section of Things I Found In Boxes, “Opening” was performed by the composer at Bastard Assignments: Fresh & Clean 3 at Block 336 Gallery in Brixton in February 2016. This section explores sounds produced by packing materials – principally cardboard boxes, tape and newspaper. This section comprises a static tape part with a part for live performer playing a cardboard box full of screwed up newspaper. Photographs are by Dimitri Djuric.

Caitlin Rowley performing Things I Found In Boxes: Opening at Block 336

things_performance2

 

The rest of the work is currently under development.

Nuts To You Too

A musique concrète miniature based entirely on recordings of hazelnuts.

Manifesto

Manifesto was devised as an audiovisual piece developed using Max/MSP. It was the product of the very last weeks of my Master of Fine Arts research project, At the Borders of Music, Art and Text: Exploring an interdisciplinary approach to composition and incorporates several key concepts from that research:

  • The use of ‘amateur’ activity within my professional practice
  • The use of limitations
  • Embracing chance
  • Visual material as music

The ‘amateur’ activity includes using myself as the performer, using multiple layers of improvisation, working with video as well as audio, and – in particular – my decision to create this piece using Max/MSP, a programme with a famously steep learning curve, and to have the piece begun and completed in the last six weeks of my degree.

This last idea was a little too ambitious – tackling a project like this while finalising a major work for my portfolio (Crossing Dartmoor), writing a 10,000-word dissertation and doing all the bits and pieces that finishing up a major project entails. But the work has in the end been completed within about six weeks’ total work… spread over about 18 months.

The first three audio sections (Rhythm/Delays, Slurps/Granularisation, and Sung tones/Pitch processes) were completed and submitted with the project, with the fourth audio section (Sssssssshhhhhhh/Feedback) and the two video pieces (Paper River, and Dirty Lines) being created a few months later, within the framework of Creative Pact 2014.

Each piece worked with limited material created by me (one audio file of vocal/body-percussion improvisation, or one or two video files) and a limited range of processes. A time limit was set for creating each patch, which was then used to improvise up to 10 versions of the section, with the one that worked best being chosen for the final assemblage.

My original plan had been to create a Max patch which would pull all the sections together and assemble a final version on the fly according to a set of rules which would define parameters for the random selection of sections and their start/end points and durations. Quite a lot of work was achieved on this, and I am immensely grateful for the assistance of Max/MSP guru Justin Capps who helped me out when I got stuck. However, this just didn’t work out how I’d hoped it would, so ultimately I compiled a finished version using Logic and Final Cut Express, but using the initial rules and determining the timing of changeover point using random numbers generated in a spreadsheet. Start/end points were determined by visual adjustments in Logic, rather than by aural selection, with minor clean-up being applied to smooth transitions.

This work is a response to my 2014 Credo.

 

1200RPM

1200RPM is an exploration of a limited number of sounds from a single original recording over an extended duration.

It can be downloaded as part of the album 1200RPM:RPM2015.

Negative Space

Negative Space is a short recorded piece which explores one possible interpretation of the idea of negative space (as found in drawing) in sound. Performed by the composer.

Available for download on the album 1200RPM:RPM2015.