Caitlin Rowley is an experimental composer, artist and performer. Her work often dissolves the boundaries between music, art and text. Current projects include an open score which investigates the private space of the rehearsal period. She is currently accepting commissions for 2018. Find out more about Caitlin and her work.
Roland Barthes, composition and the public/private creative continuum
There now, that’s more the sort of title you’d expect from a PhD student, isn’t it? Don’t take this as a sign that I know what I’m doing now, though, because I really really don’t, and part of the reason I’m writing this post is to get my thoughts in order because I think I’m […]
- Vlog the 8th is up! In which I babble about camera sounds, Georges Perec on memory and show some new drawings https://t.co/c6dxaTyXaw
- Vlog editing. No single-take simplicity this time. Ah well!
- Really looking forward to hearing this - should be great! https://t.co/bWiAlO2Pkq
Upcoming
20 November 2017: Community of Objects in Bastard Assignments’ gig at hcmf//
trainlines
trainlines 3: Swindon to Didcot Parkway
Open score – pencil and paper on an intercity train. Read more about trainlines and download the score »